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String Lake.jpeg
An unexpected beginning in playing for the dying

I knocked timidly—I was 18 years old and new to my job as the hospital’s “Musician in residence.”


No answer, but the door was half open, and I had been told to go to this room first: “She wants to hear Amazing Grace.”


I walked in and recited my formulation to the tiny shape in the bed. “May I play some music for you, or would you prefer to rest right now?”


She turned her head in my direction; a sound began in her throat but did not form into words. Confused—but not deterred—I lifted the viola to my shoulder and played.


I played the hymn with all the skill, gentleness, and beauty that my conservatory training and countless hours of practice allowed.

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When the bow left the string and the last resonance returned to silence, I opened my eyes towards the woman on the bed.


She had turned her head towards the window, closed her eyes, and taken her last breath.


She had died while I played.

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Confusion and shock flooded me. I stumbled out of the room, past the arriving nurses. Did I do something wrong?


“No,” the social worker assured me. “She rode that song right up to heaven.”

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